~~ A handshake with our culture
- Thread starter shweta123
- Start date
- Status
Bhaat to pher bi acha concept hai lakin.. yeh baki ke jitne bi tradition hai shadi ke sare hi ajeeb lagte hai mujhe to jaise..aankh me kaajal daalna, piti maslna, baan, banora-banori nikalna, devta pujan...kabi nai samaj paya ki yeh sab kyo karte hai faltu maie....
Shadi ke din jab dulha ya dulhan taiyar ho jate hai to weha se uska MAMA usko good maie madap tak utha ke lata hai...hadh hi hogi...20-22 saal ki building ko good maie utana bi ajeeb hi hai...
ek baar gaam maie ek shadi thi..to dulhan kuch health thi aur bechara MAMA mara huwa sa.. ab jaise hi good mie uthan ke chala...do kadam chalte hi dhadam se gira sath maie dulhan bi...hans hans ke paith phat ga tha..
shaadi ke riwajo maie sabse jyada gussa mujhe pandit par ata hai..khali pili maie 1 ghante tak dhuwa ke samne baitaye pakata rehta hai.. kabi idhar chwal dhalo kabi udhar dhoob se pani ke chante do... kabi idhar paanch rupiye rakho to kabi udhar..
Shadi ke din jab dulha ya dulhan taiyar ho jate hai to weha se uska MAMA usko good maie madap tak utha ke lata hai...hadh hi hogi...20-22 saal ki building ko good maie utana bi ajeeb hi hai... hahahah majje aage ... building ... hehehe ... ND bhai .. ghanna ND
phir ek line ka reply
Aadhi line chalegi? Ab aap bhi chaloo ho gaye...... kati mere haath se bandhna chaho ho ! Subah se chup hu ye kya kam hai !
Ye mai bhi bolna chah rahi thi par ek line hi ban pa rahi thi........ badi mushkil ho gayi hai, kuch bhi karke badhana padega line ko.......
mukeshkumar007
Active member
are are are....
naraj nai hote..likho tum to jitni line likhni hai..dekhte hai kon bolta hai apki bar..wesye ek solution
hai
is
tareh enter press karke 4-5 line banai ja sakti hai
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satbirsingh
New member
Bhai panditto ne to yon hee khaayaa hai jat ram .........lakin bhia kare bhee ke wo time aisa thaa ki agyaantaa ke andhere me the sab , ye to sukar hai Maharishi Dayanand Sarswati ji ka jiss ne is sansar ki aankh khole de.....nahi to bhai or bhee ghanghore..............paap hotey.........ab to fir bhee log Gurukul se leke aaney lage Shashtri ji ko Yajj wageraa ke liye ..............shaadi ke riwajo maie sabse jyada gussa mujhe pandit par ata hai..khali pili maie 1 ghante tak dhuwa ke samne baitaye pakata rehta hai.. kabi idhar chwal dhalo kabi udhar dhoob se pani ke chante do... kabi idhar paanch rupiye rakho to kabi udhar..
Gud Question Shweta Di ...
I think our youth is going back to hippie culture with some aversions.
Although todays youth is more bold than their yester years counterparts
and well equipped also. It seems that the wave of hippisim which once
rocked the world was never fully wiped out from our culture. Its traces
and scars remained which was brought to life by the channel v youth of
today. Everything is today anglicized. Its upto the youth themselves to
peek into the life's of their older counterparts and correct themselves....
mukeshkumar007
Active member
Today’s youth are the victim of explicit personality. They themselves don’t know what they want from their life. Majority of them possess heard mentality. Agar ek ne fati huwi jeans pehni to sare hi uske tareh karma saru kar dete hai.. ek ne agar dhoni style maie baal badane saru kiye to sare hi usko copy karne lag jate hai..
jitendershooda
New member
Bhaat to pher bi acha concept hai lakin.. yeh baki ke jitne bi tradition hai shadi ke sare hi ajeeb lagte hai mujhe to jaise..aankh me kaajal daalna, piti maslna, baan, banora-banori nikalna, devta pujan...kabi nai samaj paya ki yeh sab kyo karte hai faltu maie....
Shadi ke din jab dulha ya dulhan taiyar ho jate hai to weha se uska MAMA usko good maie madap tak utha ke lata hai...hadh hi hogi...20-22 saal ki building ko good maie utana bi ajeeb hi hai...
ek baar gaam maie ek shadi thi..to dulhan kuch health thi aur bechara MAMA mara huwa sa.. ab jaise hi good mie uthan ke chala...do kadam chalte hi dhadam se gira sath maie dulhan bi...
shaadi ke riwajo maie sabse jyada gussa mujhe pandit par ata hai..khali pili maie 1 ghante tak dhuwa ke samne baitaye pakata rehta hai.. kabi idhar chwal dhalo kabi udhar dhoob se pani ke chante do... kabi idhar paanch rupiye rakho to kabi udhar..
Baman !!! humare ilake mein jyadatar jat bhai Shastri se hi phere karvate hein. Aur in pheron mein jo bhi sanskrit ke shalok bole jate hein, mere khyal se kahin na kahin unke uccharan se bhi kuch shudhi hoti hogi. This is indeed a topic to research what affects are there by these shaloks. Unka hindi anuvad padhya hai and all of them teaches good. So there is no harm to go for 1 or 2 hours of these shaloks at this pious and important day of life. I feel that this dhuan in hawan is not there if the wood is not wet. Ghee, samagri, aam ki lakadi aur pata nahi kya kya sugandhit cheejen padti hein aur sare vatavaran mein mehak hi mehak ho jati hai. Jo 7 vachan bharvae jate hein, those are also very relevant.
Shadi mein Bhabhi kajal dale, batna masle ------ Might be these were involved to increase affection between these relations. I have seen that if some bhabhi is annoyed then the bridegroom will go to convince her and ask her to do this Kajal and Batna thing. If these have not been there as today's then the individuality increases and who cares attitude rises. Ho sakta hai ki iska koe aur reason bhi ho ... lekin itna bhi koe kam nahi iski significance ke liye.
Baan baithna ---- Baan baithne ke baad ladke-ladki ke upar kae terah ki restrictions lag jati hein .... jaise pahele to bahar hi nahi jane dete they ... lekin aajkal jo log thoda nibhane ki kosis karte hein wo der saber aur akele nahi jane dete to avoid any kind of mishappening. Ab kahenge ki mishappening to kahin bhi aur kaise bhi ho sakti hai ... lekin by this mixed with traditions/culture people obey not to be more open to mis-happenings by restricting himself.
Mama ka godi bhar ke lyana --- iska reason to na bera. But still I will have some faith in it. As in this there is no income of any pandit. So ye sochna ki ye waise hi bana diya hoga to uchit nahi hai. Haan kis karan banaya hoga ye research ka vishya ho sakta hai. Er aajkal to Mama sirf bhanji-bhanje ke hath la ke le aave hai chalae. To mukesh bhai ya to jathar ki baat thi ... wo tere aale kisse ka MAMA bhi nira ee tha jo apne jathar ka dhyan rakhya na er chal padya than.
Culture/traditions sirf mane ke hon hein. Jo jua bagana chahve wo kyan he mein baga de. Kyan ne itne jhanjhatan mein pade .... aagi koe pasand .... batlave er le aave ghar ne ...
... na mama boojhana ... na bhabhi manani ... er na bhai chare ka katkad. Haan nue ho sake hai ek kae cheejen vairth ki jud gae hon ... jinko chodna/amendment hi uchit hai aaj ke time pe ... lekin logic aur research ke baad.
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Very Good Customs
Marriage traditions of Jats
Jat marriage ceremonies are traditionally conducted in according with vedic rituals. These rituals have evolved since traditional times and differ in many ways. The Jats attach a lot of importance to weddings and the ceremonies are very colourful and extend for several days. The following steps are involved in a wedding:
http://en.wikipedia.org/wiki/Social_customs_of_Jats
* Sagai (Devanagari: सगाई) - Engagement. Sagai is an agreement or promise to marry, and also refers to the time between proposal and marriage. In traditional families boy or girl had no say in engagement. That was purely a duty left to parents. Important considerations in the selection is the health, the reputation of the family, and area of the land which the selected family owns for cultivation. This system is changing now-a-days.
* Aṃgūthī pahanānā (Devanagari: अंगूठी पहनाना) - Engagement ring. When engagement is fixed bridegroom comes with relatives to the house of bride and presents the engagement ring. It is a ring worn by a woman on her left-hand ring finger indicating her engagement to be married. It represents a formal agreement to future marriage.
* Bhāt nūtanā (Devanagari: भात नूतना) - Inviting maternal uncles for bhāt by the mother of bride or groom about a month prior to marriage.
* Mugdaṇā (Devanagari: मुगदणा) - green and dried twigs of khejri tree brought from farm on a cart on the day of Bān which are worshipped by mother or sister of a boy or girl prior to marriage.
* Bān baiṭhānā (Devanagari: बान बैठाना) - Ganesha pujan ceremony at the beginning of a marriage.
* Pīthī lagānā (Devanagari: पीठी लगाना) - Paste made of grounded barley, turmeric and ghee used as a fairness cream.
* Banorī (Devanagari: बनोरी) - After the Bān baiṭhānā cetremony the bride or groom do not take food at their home. First meals are at priest's house known as baman banori. Subsequent meals at close relative's house till marriage.
* Ratijkā (Devanagari: रातिजका) - Keeping awake all night. On the first night prior to marriage all family members sing songs, dance and worship deities without sleeping.
* Mehandī lagānā (Devanagari: मेहन्दी लगाना) - Another name for wedding in India is “hāth pīle karanā” or simply translated, making hands yellow. Mehandi (henna) is applied to the bride’s hands and feet. In the right hand, a round spot is left open for Hathlewā.
* Khīchaḍī (Devanagari: खीचड़ी) - The function at the time of a boy's marriage in which all relatives and villagers are invited on lunch one day before the phera ceremony, a recipe made of daal and rice, kheechad gotra.
* Meḷ (Devanagari: मेळ) - gettogether ceremony on previous day of marriage by the side of bridegroom
* Māndā (Devanagari: मांडा) - a pole made of khejadi tree put on the day of marriage of a girl
* Mandap (Devanagari: मंडप) - The wedding is normally conducted under a mandap, a canopy traditionally with four pillars, and an important component of the ceremony is the sacred fire (Agni) that is witness to the ceremony.
* Bhāt (Devanagari: भात) - also called Mayero, maternal uncles bring gifts for the mother.
* Chāk Pūjā (Devanagari: चाक पूजा) - Worship of Potter's wheel. Jats marriages start with the function of Chak Pooja, which means the worship of the potter's wheel. It is done in Jats of all the states. The analysis our marriage customs tells step by step how they evolved and developed these traditions. Now in the history of Gutians in Sumerian civilization we find that the potter's wheel was invented by them and they made it a custom to remember it for generations to come. This still persists in Jats and it indicates the linkages between Jats and the Gutians of Sumer. [4]
* Sarpech (Devanagari: सरपेंच) - musculine ornament worn in front on the turban. It was often extended into a golden band set with emeralds, rubies, diamonds.
* Barāt nikasī (Devanagari: बरात निकासी) - Departure of wedding procession. The groom leaves for the wedding venue riding a decorated horse. This is a very colorful and grand ceremony. The groom is dressed in a sherwani (long jacket) and 'churidars' (fitted trousers). On his head he wears a 'safa' (turban) with a 'kalgi' (brooch) pinned onto it. Before he departs all his relatives apply the ceremonial 'tilak' on his forehead. The barāt is headed by the dancing of the congregated folks. Accompanied by the rhythm of the north Indian dholak the barāt finally reaches the place of the wedding.
* Ghuḍ chaḍhī (Devanagari: घुड चढी) - Horseriding. This is a vedic tradition of Jats in which the groom rides a horse and goes to bride's house. It seems to be adopted from vedic times. Jāt word in Latvian language means cavalier. [5]
* Chāwal chaḍhanā (Devanagari: चावल चढाना) - Rice offering. It is an Aryan tradition. Rice is also called as "akshat (अक्षत)" in Sanskrit, which means an unbroken grains of rice known as pinda. Rice is a very important grain in almost all the rituals in India and also in Foreign Countries. This can be attributed to the fact that rice is the first known food grain to be cultivated and even in india wheat was introduced from the middle east quite later on and as a result rice is the grain used by all the Hindus in their rituals. Rice is a symbol of prosperity.[6]
* Sehḷā (Devanagari: सेळा) - barati's reception ceremony.
* Toraṇ māranā (Devanagari: तोरण मारना) - a symbol of victory put on the door of dulhan on arrival of baraat,Been comes and touches it with his sward or a neem or Zhaadi [berry] stick.
* Var mālā (Devanagari: वरमाला) - The groom is led to a small stage where he is “attacked” by the bride with flowers. Following this, the groom and bride exchange garlands, known asVar mālā, signifying their acceptance of each other as husband and wife. Then, the groom’s mother-in-law measures the groom’s chest, and pokes and prods him to make sure he is tough enough to defend her daughter. She than puts kajal on the groom to ward off evil spirits. This is followed by aarti.
* Hathlewā (Devanagari: हथलेवा) - After being led to the wedding mandup, the bride and groom have their hands tied together. The Pandit does a puja to Lord Ganesha and than puts a coin & mehendi on the groom’s right hand where the round empty spot is (where no mehendi was put) and ties his hand with the brides. This puja is done schedule in advance based on an auspicious time & date.
* Gaṃjoḍa (Devanagari: गंजोडा) - The priest ties the end of the groom's dhoti or the kurta; whichever he is wearing, with that of the bride's saree, the knot signifying the sacred wedlock.
* Pherā (Devanagari: फेरा) - Ceremony performed during marriage when the couple take Vachan in front of Agni devata
* Sātphere (Devanagari: सातफेरे) - Seven rounds around fire. The groom and the bride then circle the holy fire seven times, making seven promises to be fulfilled in the married life, after which they are considered to be 'married' to each other. This ritual is called "phere".
* Kanyā Dān (Devanagari: कन्या दान) - the bestowing of a girl in marriage. Kanyā Dān is performed by the father of the bride in presence of a large gathering that is invited to witness the wedding. The father pours out a libation of sacred water symbolizing the giving away of the daughter to the bride groom. The groom recites Vedic hymns to Kama, the God of love, for pure love and blessings. As a condition for offering his daughter for marriage, the father of the bride requests a promise from the groom for assisting the bride in realizing the three ends : dharma, artha, and kama. The groom makes the promise by repeating three times that he will not fail the bride in realizing dharma, artha and kama.
* Thāpā lagānā (Devanagari: थापा लगाना) - Imprint of hand of bride or bridegroom in mehandi or haldi are marked on wall.
* Kanwar Kalevā (Devanagari: कंवर कलेवा) - ceremony of offering breakfast to bridegroom by bride's side during marriage in which bridegroom along with close friends and associates relish the royal breakfast
* Rangbarī (Devanagari: रंगबरी) - the ceremony of showing ornaments and clothes of a bride
* Samtuṇī (Devanagari: समटुणी) - function to honour the baraatis and guests in marriage
* Dāt (Devanagari: दात) - utensils, clothes, ornaments etc offered to bridegroom and his relatives by bride side in marriage.
* Jhūnwārī (Devanagari: झूंआरी) - paying respect to a relative by putting tilak on forehead and offering gift
* Vidāī (Devanagari: विदाई) - A send off. This is considered to be the most emotional ritual, when the bride leaves her parents' home and makes her way to her husband's. Family and friends, who also shower her with blessings and gifts, give her a tearful farewell. The male members of the bride's family bid farewell to the groom by applying the traditional 'tilak' (vermilion) on his forehead and shower him with gifts. The couple leaves in a decorated car.
Marriage traditions of Jats
Jat marriage ceremonies are traditionally conducted in according with vedic rituals. These rituals have evolved since traditional times and differ in many ways. The Jats attach a lot of importance to weddings and the ceremonies are very colourful and extend for several days. The following steps are involved in a wedding:
http://en.wikipedia.org/wiki/Social_customs_of_Jats
* Sagai (Devanagari: सगाई) - Engagement. Sagai is an agreement or promise to marry, and also refers to the time between proposal and marriage. In traditional families boy or girl had no say in engagement. That was purely a duty left to parents. Important considerations in the selection is the health, the reputation of the family, and area of the land which the selected family owns for cultivation. This system is changing now-a-days.
* Aṃgūthī pahanānā (Devanagari: अंगूठी पहनाना) - Engagement ring. When engagement is fixed bridegroom comes with relatives to the house of bride and presents the engagement ring. It is a ring worn by a woman on her left-hand ring finger indicating her engagement to be married. It represents a formal agreement to future marriage.
* Bhāt nūtanā (Devanagari: भात नूतना) - Inviting maternal uncles for bhāt by the mother of bride or groom about a month prior to marriage.
* Mugdaṇā (Devanagari: मुगदणा) - green and dried twigs of khejri tree brought from farm on a cart on the day of Bān which are worshipped by mother or sister of a boy or girl prior to marriage.
* Bān baiṭhānā (Devanagari: बान बैठाना) - Ganesha pujan ceremony at the beginning of a marriage.
* Pīthī lagānā (Devanagari: पीठी लगाना) - Paste made of grounded barley, turmeric and ghee used as a fairness cream.
* Banorī (Devanagari: बनोरी) - After the Bān baiṭhānā cetremony the bride or groom do not take food at their home. First meals are at priest's house known as baman banori. Subsequent meals at close relative's house till marriage.
* Ratijkā (Devanagari: रातिजका) - Keeping awake all night. On the first night prior to marriage all family members sing songs, dance and worship deities without sleeping.
* Mehandī lagānā (Devanagari: मेहन्दी लगाना) - Another name for wedding in India is “hāth pīle karanā” or simply translated, making hands yellow. Mehandi (henna) is applied to the bride’s hands and feet. In the right hand, a round spot is left open for Hathlewā.
* Khīchaḍī (Devanagari: खीचड़ी) - The function at the time of a boy's marriage in which all relatives and villagers are invited on lunch one day before the phera ceremony, a recipe made of daal and rice, kheechad gotra.
* Meḷ (Devanagari: मेळ) - gettogether ceremony on previous day of marriage by the side of bridegroom
* Māndā (Devanagari: मांडा) - a pole made of khejadi tree put on the day of marriage of a girl
* Mandap (Devanagari: मंडप) - The wedding is normally conducted under a mandap, a canopy traditionally with four pillars, and an important component of the ceremony is the sacred fire (Agni) that is witness to the ceremony.
* Bhāt (Devanagari: भात) - also called Mayero, maternal uncles bring gifts for the mother.
* Chāk Pūjā (Devanagari: चाक पूजा) - Worship of Potter's wheel. Jats marriages start with the function of Chak Pooja, which means the worship of the potter's wheel. It is done in Jats of all the states. The analysis our marriage customs tells step by step how they evolved and developed these traditions. Now in the history of Gutians in Sumerian civilization we find that the potter's wheel was invented by them and they made it a custom to remember it for generations to come. This still persists in Jats and it indicates the linkages between Jats and the Gutians of Sumer. [4]
* Sarpech (Devanagari: सरपेंच) - musculine ornament worn in front on the turban. It was often extended into a golden band set with emeralds, rubies, diamonds.
* Barāt nikasī (Devanagari: बरात निकासी) - Departure of wedding procession. The groom leaves for the wedding venue riding a decorated horse. This is a very colorful and grand ceremony. The groom is dressed in a sherwani (long jacket) and 'churidars' (fitted trousers). On his head he wears a 'safa' (turban) with a 'kalgi' (brooch) pinned onto it. Before he departs all his relatives apply the ceremonial 'tilak' on his forehead. The barāt is headed by the dancing of the congregated folks. Accompanied by the rhythm of the north Indian dholak the barāt finally reaches the place of the wedding.
* Ghuḍ chaḍhī (Devanagari: घुड चढी) - Horseriding. This is a vedic tradition of Jats in which the groom rides a horse and goes to bride's house. It seems to be adopted from vedic times. Jāt word in Latvian language means cavalier. [5]
* Chāwal chaḍhanā (Devanagari: चावल चढाना) - Rice offering. It is an Aryan tradition. Rice is also called as "akshat (अक्षत)" in Sanskrit, which means an unbroken grains of rice known as pinda. Rice is a very important grain in almost all the rituals in India and also in Foreign Countries. This can be attributed to the fact that rice is the first known food grain to be cultivated and even in india wheat was introduced from the middle east quite later on and as a result rice is the grain used by all the Hindus in their rituals. Rice is a symbol of prosperity.[6]
* Sehḷā (Devanagari: सेळा) - barati's reception ceremony.
* Toraṇ māranā (Devanagari: तोरण मारना) - a symbol of victory put on the door of dulhan on arrival of baraat,Been comes and touches it with his sward or a neem or Zhaadi [berry] stick.
* Var mālā (Devanagari: वरमाला) - The groom is led to a small stage where he is “attacked” by the bride with flowers. Following this, the groom and bride exchange garlands, known asVar mālā, signifying their acceptance of each other as husband and wife. Then, the groom’s mother-in-law measures the groom’s chest, and pokes and prods him to make sure he is tough enough to defend her daughter. She than puts kajal on the groom to ward off evil spirits. This is followed by aarti.
* Hathlewā (Devanagari: हथलेवा) - After being led to the wedding mandup, the bride and groom have their hands tied together. The Pandit does a puja to Lord Ganesha and than puts a coin & mehendi on the groom’s right hand where the round empty spot is (where no mehendi was put) and ties his hand with the brides. This puja is done schedule in advance based on an auspicious time & date.
* Gaṃjoḍa (Devanagari: गंजोडा) - The priest ties the end of the groom's dhoti or the kurta; whichever he is wearing, with that of the bride's saree, the knot signifying the sacred wedlock.
* Pherā (Devanagari: फेरा) - Ceremony performed during marriage when the couple take Vachan in front of Agni devata
* Sātphere (Devanagari: सातफेरे) - Seven rounds around fire. The groom and the bride then circle the holy fire seven times, making seven promises to be fulfilled in the married life, after which they are considered to be 'married' to each other. This ritual is called "phere".
* Kanyā Dān (Devanagari: कन्या दान) - the bestowing of a girl in marriage. Kanyā Dān is performed by the father of the bride in presence of a large gathering that is invited to witness the wedding. The father pours out a libation of sacred water symbolizing the giving away of the daughter to the bride groom. The groom recites Vedic hymns to Kama, the God of love, for pure love and blessings. As a condition for offering his daughter for marriage, the father of the bride requests a promise from the groom for assisting the bride in realizing the three ends : dharma, artha, and kama. The groom makes the promise by repeating three times that he will not fail the bride in realizing dharma, artha and kama.
* Thāpā lagānā (Devanagari: थापा लगाना) - Imprint of hand of bride or bridegroom in mehandi or haldi are marked on wall.
* Kanwar Kalevā (Devanagari: कंवर कलेवा) - ceremony of offering breakfast to bridegroom by bride's side during marriage in which bridegroom along with close friends and associates relish the royal breakfast
* Rangbarī (Devanagari: रंगबरी) - the ceremony of showing ornaments and clothes of a bride
* Samtuṇī (Devanagari: समटुणी) - function to honour the baraatis and guests in marriage
* Dāt (Devanagari: दात) - utensils, clothes, ornaments etc offered to bridegroom and his relatives by bride side in marriage.
* Jhūnwārī (Devanagari: झूंआरी) - paying respect to a relative by putting tilak on forehead and offering gift
* Vidāī (Devanagari: विदाई) - A send off. This is considered to be the most emotional ritual, when the bride leaves her parents' home and makes her way to her husband's. Family and friends, who also shower her with blessings and gifts, give her a tearful farewell. The male members of the bride's family bid farewell to the groom by applying the traditional 'tilak' (vermilion) on his forehead and shower him with gifts. The couple leaves in a decorated car.
Very Good Customs
- Jatsamaj Ki Customs-culture To Best Han
Per Aaj Ky Samaj Mae.
Tael- Baan- Sagai-banwara-ghudchaddi
Ka Time Kisi Ky Pas Nahi Hae.
Chat Mangni-pat Vivah Aur Jhat Divorce.
Aur Bahut Sy To Vivah Sy Pahle Net Per Hi
Muklawa Karne Ko 24 Hrs Tayar Rahte Han.
Ise Muklawa Ki Baat Per
Kalu Ki Ak Misal Yad Aagye-
Kalu Ki Shadi Nahi Ho Rahi Thi-
Kalu-babu Sy Bola-babu Shadi
Karde Jalse Si
- Babu Bola Shadi My Rupee Lagagy Ak Lakh
Rupee La- Abhi Khal Shadi Karta Hun.
Kalu Soch Kar Bola- Babu Muklawa
Kitne Ky Rs Mae Ho Jaga.
Babu Bola Muklawa To 1100 Rs Ho Jaga.
Kalu Sidha Hi Bola-
Mae To Phir Sidha Hi Muklawa Karwaoga
Babu Lae 1100 Rs Karde Mera Muklawa
Nahi To Yah Rahi Goli- Jahar Khalunga
Abhi Bahut Sy Nu Bujhegy
Yoo- Muklawa Ky Ho Sae
- Jatsamaj Ki Customs-culture To Best Han
Per Aaj Ky Samaj Mae.
Tael- Baan- Sagai-banwara-ghudchaddi
Ka Time Kisi Ky Pas Nahi Hae.
Chat Mangni-pat Vivah Aur Jhat Divorce.
Aur Bahut Sy To Vivah Sy Pahle Net Per Hi
Muklawa Karne Ko 24 Hrs Tayar Rahte Han.
Ise Muklawa Ki Baat Per
Kalu Ki Ak Misal Yad Aagye-
Kalu Ki Shadi Nahi Ho Rahi Thi-
Kalu-babu Sy Bola-babu Shadi
Karde Jalse Si
- Babu Bola Shadi My Rupee Lagagy Ak Lakh
Rupee La- Abhi Khal Shadi Karta Hun.
Kalu Soch Kar Bola- Babu Muklawa
Kitne Ky Rs Mae Ho Jaga.
Babu Bola Muklawa To 1100 Rs Ho Jaga.
Kalu Sidha Hi Bola-
Mae To Phir Sidha Hi Muklawa Karwaoga
Babu Lae 1100 Rs Karde Mera Muklawa
Nahi To Yah Rahi Goli- Jahar Khalunga
Abhi Bahut Sy Nu Bujhegy
Yoo- Muklawa Ky Ho Sae
mukeshkumar007
Active member
Uncleji, Thank you very much for sharing this nice information with us.. Really good one.
lakin ajkal to jato maie ladkiyo ki kami hori hai to bhot sare to sagai wagai ke jhanjat maie hi nai padte..jaise hi kehi koi baat bani phatak de si shadi ki hi tarik declare kar dete hai.. sabko dar rehta ki bera na kab kiska man badal jaya..kaun kiski chugali kar de..hahahaha
I think it happens just before 10-15 days prior to marriage.
Never heard of this
fairness cream.. haa yeh bi tagadi hi cream hai... piti se ragad ragad ke ache kashi bundi si sakal wale ko bi ek bar to dekhne layak bana dete hai..baan baithne ke baad roj hi shadi tak pithi lagai jati hai...
baman ke ghar par hota hai.. kabi nai suna yeh to..
aur kya pata dhyan nai ho....
basically yeh sehi laga mere ko to ek to ghar par choon bache aur dusra khane ko roj dhan dhan ki cheez milti hai..aur jeha bi khane jae weha ladd karke khilate hai..
basically it is for ladies only.!!
shyed kichadi aur yeh mel ek hi hote hai
This is one of the good concept...
?????????????
barat nikasi se pehle bride ko sare ke sare devtawo ke dhok khuwa ke late hai.. shyed kuch anhoni na ho jaye iske liye!!!
Ghudchadi bi alag se function hai kye ???
Bhaat lekar ane walo ko to shyed aaj bi sabse pehle chawal khilaye jate hai.!!
Pehle to Toran ke time hi varmala pehna di jati thi .. alag se ek stage par function to gaavo maie aajkal hone lage hai.. wesye sehi bi hai yeh..kyoki toran ke time gate par jeha toran function hota tha.. uspar itni bheed ho jati thi ki kuch dekhne hi nai dete the
ha ha ha ha... aaj samaj maie ayi mere ya kehani..har bar kisi shadi maie dekhta to soch ke hi reh jata ki yo kye sang hai..:
Yeh kyo karte hai.???
I think har koi isi function ka wait karte rehte hai.. dullha bi aur dullhe ka baap bi.aur sath maie bharati bi curious rehte hai..kyoki isi function maie declare kiya jata hai ki ladki wale dahej maie kitne paise de rehe hai.. aur dahej maie diye jane wale samaj ki pardarshni bi isi function maie lagai jati hai..acha lutne aur lutane ka function hai yeh..
lakin is function maie relatives aur guests ko honour karte time jo juwari deti hai us time aurte geet bi gati rehti hai side maie khadi khadi..aur geet bi ajeeb se hi hote hai.. jo bi bechara juwari lene ata hai...uske ajeeb-ajeeb se naam nikal dete hai.. jaise ki Kalyo..langdiyo..motyo..moti naak ko...lambe sar...ganjyo.. and so on.. sun sun ke hansi aa jya hai..
Is function ke time dulhan khoob roti thi..lakin pata nai kya reason hai ajkal dulhan roti hi nai hai.. aram se mummy papa aur relatives ke gale lag ke hasti huwi aur sharmati huwi aram se gaadi maie baith jati hai.. no rona dhona...
lakin ajkal to jato maie ladkiyo ki kami hori hai to bhot sare to sagai wagai ke jhanjat maie hi nai padte.
.jaise hi kehi koi baat bani phatak de si shadi ki hi tarik declare kar dete hai.. sabko dar rehta ki bera na kab kiska man badal jaya..kaun kiski chugali kar de..hahahahaI think it happens just before 10-15 days prior to marriage.
Never heard of this
fairness cream..
haa yeh bi tagadi hi cream hai... piti se ragad ragad ke ache kashi bundi si sakal wale ko bi ek bar to dekhne layak bana dete hai..baan baithne ke baad roj hi shadi tak pithi lagai jati hai... baman ke ghar par hota hai.. kabi nai suna yeh to..
aur kya pata dhyan nai ho.... basically yeh sehi laga mere ko to ek to ghar par choon bache aur dusra khane ko roj dhan dhan ki cheez milti hai..aur jeha bi khane jae weha ladd karke khilate hai..
basically it is for ladies only.!!
shyed kichadi aur yeh mel ek hi hote hai
This is one of the good concept...
?????????????
barat nikasi se pehle bride ko sare ke sare devtawo ke dhok khuwa ke late hai.. shyed kuch anhoni na ho jaye iske liye!!!
Ghudchadi bi alag se function hai kye ???
Bhaat lekar ane walo ko to shyed aaj bi sabse pehle chawal khilaye jate hai.!!
Pehle to Toran ke time hi varmala pehna di jati thi .. alag se ek stage par function to gaavo maie aajkal hone lage hai.. wesye sehi bi hai yeh..kyoki toran ke time gate par jeha toran function hota tha.. uspar itni bheed ho jati thi ki kuch dekhne hi nai dete the
ha ha ha ha... aaj samaj maie ayi mere ya kehani..har bar kisi shadi maie dekhta to soch ke hi reh jata ki yo kye sang hai..
:Yeh kyo karte hai.???
I think har koi isi function ka wait karte rehte hai.. dullha bi aur dullhe ka baap bi.aur sath maie bharati bi curious rehte hai..kyoki isi function maie declare kiya jata hai ki ladki wale dahej maie kitne paise de rehe hai.. aur dahej maie diye jane wale samaj ki pardarshni bi isi function maie lagai jati hai..acha lutne aur lutane ka function hai yeh..
lakin is function maie relatives aur guests ko honour karte time jo juwari deti hai us time aurte geet bi gati rehti hai side maie khadi khadi..aur geet bi ajeeb se hi hote hai.. jo bi bechara juwari lene ata hai...uske ajeeb-ajeeb se naam nikal dete hai.. jaise ki Kalyo..langdiyo..motyo..moti naak ko...lambe sar...ganjyo.. and so on.. sun sun ke hansi aa jya hai..
Is function ke time dulhan khoob roti thi..lakin pata nai kya reason hai ajkal dulhan roti hi nai hai.. aram se mummy papa aur relatives ke gale lag ke hasti huwi aur sharmati huwi aram se gaadi maie baith jati hai..
no rona dhona...shashiverma
New member
Interesting..... I guess it would be of more interest and meaningful if one could add what each of the above symbolize. What are the underlying reasons/faith?
Chawal-marna
* Chāwal chaḍhanā (Devanagari: चावल चढाना) - Rice offering. It is an Aryan tradition. Rice is also called as "akshat (अक्षत)" in Sanskrit, which means an unbroken grains of rice known as pinda. Rice is a very important grain in almost all the rituals in India and also in Foreign Countries. This can be attributed to the fact that rice is the first known food grain to be cultivated and even in india wheat was introduced from the middle east quite later on and as a result rice is the grain used by all the Hindus in their rituals. Rice is a symbol of prosperity.[6]
* Sehḷā (Devanagari: सेळा) - barati's reception ceremony.
Vidāī (Devanagari: विदाई) - A send off. This is considered to be the most emotional ritual, when the bride leaves her parents' home and makes her way to her husband's. Family and friends, who also shower her with blessings and gifts, give her a tearful farewell. The male members of the bride's family bid farewell to the groom by applying the traditional 'tilak' (vermilion) on his forehead and shower him with gifts. The couple leaves in a decorated car.
Chawal marna- chadhana- phool bkherna
this is part of blessings- rice is symbol of prosperity.
Bride jab chawal bakher kar chalti hae.
iska matlab yahi hota hae-
mera pihar khusi sy basta rahe
Aan- Dhan ke bhandar bhare rahe
raat deen khusiya barsati rahe.
Haryana ki ak jat ladki ki kahani hae
ak bahut purni lambi history hae
Meechand nam ky Jat ny pase lekar
apni sister ki shadi kisi angrej sy karde
ladki jate samye ro-ro kar yah kaha
Gaon gagana sukh sy basiyo
nash jayaeo Meechand ka
so asli bat yahi hae ki sabhi
apni ladki ko kushi sy bidai karte han
Lokgeet ka bhi vivah shadi mae
khas mahtav hota hae aur boli
tane- sithane ka bhi mahtav hae
hanse-kushi sy geet gati han
mata geet ky dawara kaya kahti hae
Meri Atma nuu kah rahi hey
sada pholo phalo suhag tera
palan- posan mae kasar nahi
rakhi aag hey beti bhag tera
Oodh pahar singer lae Beti
sakhi kar hey singar tera
London sahar mae jana hoga
Beti aaraha hey bhartar tera
* Chāwal chaḍhanā (Devanagari: चावल चढाना) - Rice offering. It is an Aryan tradition. Rice is also called as "akshat (अक्षत)" in Sanskrit, which means an unbroken grains of rice known as pinda. Rice is a very important grain in almost all the rituals in India and also in Foreign Countries. This can be attributed to the fact that rice is the first known food grain to be cultivated and even in india wheat was introduced from the middle east quite later on and as a result rice is the grain used by all the Hindus in their rituals. Rice is a symbol of prosperity.[6]
* Sehḷā (Devanagari: सेळा) - barati's reception ceremony.
Vidāī (Devanagari: विदाई) - A send off. This is considered to be the most emotional ritual, when the bride leaves her parents' home and makes her way to her husband's. Family and friends, who also shower her with blessings and gifts, give her a tearful farewell. The male members of the bride's family bid farewell to the groom by applying the traditional 'tilak' (vermilion) on his forehead and shower him with gifts. The couple leaves in a decorated car.
Chawal marna- chadhana- phool bkherna
this is part of blessings- rice is symbol of prosperity.
Bride jab chawal bakher kar chalti hae.
iska matlab yahi hota hae-
mera pihar khusi sy basta rahe
Aan- Dhan ke bhandar bhare rahe
raat deen khusiya barsati rahe.
Haryana ki ak jat ladki ki kahani hae
ak bahut purni lambi history hae
Meechand nam ky Jat ny pase lekar
apni sister ki shadi kisi angrej sy karde
ladki jate samye ro-ro kar yah kaha
Gaon gagana sukh sy basiyo
nash jayaeo Meechand ka
so asli bat yahi hae ki sabhi
apni ladki ko kushi sy bidai karte han
Lokgeet ka bhi vivah shadi mae
khas mahtav hota hae aur boli
tane- sithane ka bhi mahtav hae
hanse-kushi sy geet gati han
mata geet ky dawara kaya kahti hae
Meri Atma nuu kah rahi hey
sada pholo phalo suhag tera
palan- posan mae kasar nahi
rakhi aag hey beti bhag tera
Oodh pahar singer lae Beti
sakhi kar hey singar tera
London sahar mae jana hoga
Beti aaraha hey bhartar tera
Shweta,
We have compiled these traditions on Jatland Wiki so that our new generation does not forget it. You can see here -
http://www.jatland.com/home/Life,_culture_and_traditions_of_Jats
Please see also the blue active links in this article which are further details on each custom of Jats. You may contribute content and some photos also.
Regards,
We have compiled these traditions on Jatland Wiki so that our new generation does not forget it. You can see here -
http://www.jatland.com/home/Life,_culture_and_traditions_of_Jats
Please see also the blue active links in this article which are further details on each custom of Jats. You may contribute content and some photos also.
Regards,
Often we take these rituals as a one day show and never go deep into their roots, but great to know so much ! Thanks for sharing, please keep sharing anything you may feel like
When there is "Vidai" the bride throws away some rice while walking towards the car, whats that..........
See also on Jatland Wiki
http://www.jatland.com/home/Jat_social_customs
We have cotributed these things on Wikipedia also so that people of other countries can know our traditions.
http://www.jatland.com/home/Jat_social_customs
We have cotributed these things on Wikipedia also so that people of other countries can know our traditions.
collect lokgeet
Dear Mukesh
do not worry- we arrange every thing in week- when you ready.
bahi jab tera vichar van ja batadeye- 5-7 deen mae
teri vivah- sagahi- ghaimutiya kardengy.
Rajasthan ky lokgeet collect karle- bahut rich culture hae.
yah abhi khatam hote ja rahe han.
mane kitno ko bola hae.
Kuch geet to rear han- sari duniya mae.
Haryana-UP-Delhi-MP-RAjasthan-London USA mae same gaye jate han
Yah hamari research hae.
AK jamai Ji- Padharo mhara desh
GARH chhod Rukman baha aaye
Sathan chale hey- merae dab-dab bhar aaye nan
Khatu ny kahiyo Shyam vada datar
5 patase phoolo ka bidla lae samji per jayau ji
jis dali hmari Ladoo bathi vah dali
jhook bhi jayiau ji- nn bhi jayaeo
sari bagichi phal paeo jee
naye bahu chhorae ki khatar
halwa kheer barati ny
daan len ki bhukhi samdhan
boor- badai bhati ny
ase kitne hi rich culture ky
geet han jo lupat ho rahe han
Dear Mukesh
do not worry- we arrange every thing in week- when you ready.
bahi jab tera vichar van ja batadeye- 5-7 deen mae
teri vivah- sagahi- ghaimutiya kardengy.
Rajasthan ky lokgeet collect karle- bahut rich culture hae.
yah abhi khatam hote ja rahe han.
mane kitno ko bola hae.
Kuch geet to rear han- sari duniya mae.
Haryana-UP-Delhi-MP-RAjasthan-London USA mae same gaye jate han
Yah hamari research hae.
AK jamai Ji- Padharo mhara desh
GARH chhod Rukman baha aaye
Sathan chale hey- merae dab-dab bhar aaye nan
Khatu ny kahiyo Shyam vada datar
5 patase phoolo ka bidla lae samji per jayau ji
jis dali hmari Ladoo bathi vah dali
jhook bhi jayiau ji- nn bhi jayaeo
sari bagichi phal paeo jee
naye bahu chhorae ki khatar
halwa kheer barati ny
daan len ki bhukhi samdhan
boor- badai bhati ny
ase kitne hi rich culture ky
geet han jo lupat ho rahe han
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