History of Bharatpur

lrburdak

Active member
The History of Bharatpur is available on Jatland wiki at URL

http://www.jatland.com/home/Maharaja_Suraj_Mal

By the way for the info of members I created article with photographs about Lohagarh Fort Bharatpur, about the Greatest King of Jats, Maharaja Surajmal's 300th Birth day Anniversary. May like to see here

http://www.jatland.com/home/Lohagarh_Fort

Copy of tthe article is produced here

Lohagarh Fort Bharatpur

The Lohagarh Fort, constructed by Bharatpur Jat rulers, true to its name stood solidly in front of many British attacks, and frustrated them to ends. It faced the British onslaught four times and after a long siege they had to withdraw, but Lord Lake, however was successful in capturing it in 1804.

Lohagarh' means 'fort of iron'. and the fort was what its name suggested; virtually impregnable. Protected by deep moats on all sides, it was said that it could fall "only when a crocodile swallowed up all the water of the moat." It's obvious that the Jats did not believe in laxity. So while lesser forts gave way more easily, Lohargarh stood firm, giving Bharatpur the security it needed.

Construction of the Fort

The fort sits on an artificial island in the middle of the town, with a somewhat forlorn look about it. Yet it is the focal point of Bharatpur today, just as it was of the town's history in the past. Begun by Maharaja Suraj Mal in 1732, it was completed only 60 years later (see Maharaja Suraj Mal). The strong point of this once-formidable fort were its thick outer mud walls, which lovingly absorbed all the firing from the Mughal and British armies. The cannon balls would sink into the mud, only to be collected later and fired back at the enemy! These terrific walls were about 7km in length and took as many as eight years to complete. Lohargarh was probably inspired by the mahi durg (mud fort) as described in ancient Sanskrit scriptures. But sadly, the walls were broken down by the British when they took over the fort in 1826, though portions of the inner walls still remain.

Fort Museum

Today most of the fort is occupied by government offices and a museum. One thing which strikes one immediately about the architecture is the lack of ostentation; Lohargarh is definitely much simpler as far as carvings, paintings and other frills go. With its emphasis on security and security only, there's almost no room for unnecessary ornamentation. It is modest and functional, which is perhaps something to do with the Jat way of life. Some of the residential chambers do have some adornment, but only very little.

Ashtadhatu Gate

The main entrance to this grand fort is the Ashtadhatu Gate. Ashtadhatu means 'eight metals', for the spikes on this edifice are made of eight different metals. This north-facing imposing gateway with huge rounded bastions and paintings of war elephants carries a unique history. Originally it used to be the gate of the Chittorgarh Fort (in Rajasthan itself). From there it was carried to Delhi by Sultan Alauddin Khilji who plundered the Rajput city in the late 13th century. The victorious Jats then tore it down from the walls of imperial Delhi during their attack in 1764 and brought it back with them to Bharatpur. The Lohiya Gate in the south of the fort was also lifted from Delhi in a similar fashion.

Fort Palace

Inside the fort are three palaces, Mahal Khas, Kamra Palace and the Palace of Badan Singh. The Kamra Palace next to the Badan Singh Palace was the place for storing all the armory and treasury of the fort. The eastern Mahal Khas, built by Maharaja Balwant Singh (ruled 1826-53), contrasts sharply with the rest of the Spartan fort; it has some beautiful wall paintings. The chambers are small with ornate pierced stone windows, and lovely patterned marble tiled floors. Badan Singh’s Palace was created around 1733, but was elaborated greatly by the succeeding generations.

State Archaeological Museum

The Kamra Palace and the durbar hall of the Badan Singh Palace were converted into the State Archaeological Museum in 1944. The museum houses an interesting collection of sculptural findings of eastern Rajasthan, with some pieces from the 2nd century AD. The terra cotta toys of the early centuries excavated at the nearby village of Noh, and the 10th century Ganesha are some of the nicer exhibits. There's also a fine carving of Shiva as Nataraja (the cosmic dancer), belonging to the 10th century. But the best piece is perhaps the 2nd century red sandstone shivalinga (Shiva's phallic symbol).

It is very different from the other forts in state, there is no flamboyance associated to fort but it generates an aura of strength and magnificence. The fort is surrounded with moat which was previously filled with water to ward off the enemy attacks. The sandy ramparts were strengthened by sandy battlements, thus the enemy guns proved of no avail.


Some interesting monuments in the fort are Kishori Mahal, Mahal Khas and Kothi Khas. Moti Mahal and towers like Jawahar Burj and Fateh Burj were erected to commemorate the victory over the Mughals and the British army . The Gateway has paintings of huge elephants.

Art Gallery

The Art Gallery of the museum has specimens of miniature paintings on peepal leaves, mica and old lithopapers along with some old portraits of the maharajas of Bharatpur. The upper storey houses the Armoury section where various types of guns and miniature cannons called chaddre, which were used in the 18th century, are displayed.

Nehru Park

Between the Museum and the main entrance, the Ashtadhatu Gate, is the Nehru Park. It is a pleasant place to sit and enjoy the breeze, with pretty lawns, flowerbeds and the Madhuban Cafeteria.
[edit] Visiting Hours

(Museum) : 1000-1630 (closed on Fridays)

Towers

The Jawahar Burj was built by Suraj Mal in 1765, in celebration of the successful attack on Delhi. There are a series of pavilions here, the ceilings of which display some badly deteriorating frescoes. The Fateh Burj is a victory tower too, raised after driving away the British forces in 1805. It was from these towers that the Jat maharajas happily surveyed their fast-growing territory.

The magnificent Palace Carving

The sandstone durbar (maharaja's meeting hall) with finely carved walls, pillars and archways now houses a museum. There's an iron pillar in the palace complex called the Vijay Stambha (Victory Column) on which is inscribed the genealogy of the Jat kings starting right from Lord Krishna! (As we have already said before, it was a matter of great prestige to trace one's lineage from the gods themselves).

Ganga Mandir temple

Maharaja Balwant Singh started the construction of this big temple in 1845. The construction was carried out by a unique method, where all persons employed in the service of the state, were asked to donate one month’s salary of their service or any raise in pay towards the shrine. The temple is a beautiful piece of architecture.

See also at Jatland Wiki

* Bharatpur at http://www.jatland.com/home/Bharatpur
* Maharaja Suraj Mal at http://www.jatland.com/home/Maharaja_Suraj_Mal
* The Jat Uprising of 1669 at http://www.jatland.com/home/The_Jat_Uprising_of_1669
* Expansion of the Jat power at http://www.jatland.com/home/Expansion_of_the_Jat_power_(1680-1707)
Author: Laxman Burdak लक्ष्मण बुरड़क
*********************************************************
Note - Members are requested to contribute more photos about Bharatpur and the Lohagarh Fort.
*********************************************************
 
Last edited:
sir,

what's the hisory behind chauraasi khambe, at kaman, near deeg in bharatpur.

i've been to that place last year..

regards
satinder,pune
 
History of kaman

Kaman is a very old town, situated in the north of Bharatpur. It is considered to be a very old and sacred town of Hindus as it forms a part of Braj(Brij) area where Lord Krishna spent his early life. It is also known as Kamawan. Its former name is said to have been Brahampore, but Raja Kamasen the maternal grand father of Krishna changed it to Kaman after his own name. Kaman is the short name of Kadambawana for numerous Kadhamba Trees are found here. It is a place of Pilgrimage, Annually visited by a large number of Vaishnava in the month of Bhadon as a part of Banyatra. The remains of a temple/mosque consisting of 84 pillars, named 'Chourasi Khamaba’ still exist here. None of these pillars is withoutonament and some are very highly decorated. Kaman has long been under the rule of Jaipur but was conquered and annexed by Maharaja jawahar Singh. Some palaces of Jaipur Chiefs still exist here. Maharaja jai Singh took the idols of Madan Mohanji and Gokul Chandramanji to his newly built city of Jaipur but due to some resions the idols were brought back to Kaman after a short stay at Bikaner.

Places To Visit

1. Vrinda Devi Temple
2. Chaurasi Khamba : The 84 ancient beautifully carved pillars.
3. Gaya Kunda :Nanda Maharaja offered oblations to his forefathers. This kunda is about a half km southwest of the town of Kaman.
4. Setubandhu Rameswara
5. Yasoda Kunda
6. Kameswara Mahadeva Temple
7. Vimal Kunda
8. Dharma Kunda
9. Pancha Pandava Temple
10. Shri Charan Kunda : Lord Krishna washed his feet in this kunda.
 
Dear friend,
It is a nice piece of writing for which you deserve thanks. Though not directly related with this thread, i venture to add a few lines for favour of consideration for bridging the gaps in the history of Bharatpur.

With regards,
Dr. Raj Pal Singh

Women in Jat society: Some illustrations from the pages of History*
The standard of a society is to be determined by the position women occupy in it and the position of women amongst the Jats has always been far better than that of their counterparts in other social groups in the Indian society. Their freedom from most of the restrictions on marriage observed by ‘high caste’ Hindus gave to their homes a stronger free womanhood.
The Jat women have never been forced to widowhood or sati (burning the bride on the pyre of her husband) as they follow “the ancient Vedic Aryan practice—so much abhorred by later day Hindus—of a man marrying his deceased brother’s widow as a matter of right. It has always proved beneficial to the society. For example, Maharani Kishori, who survived his illustrious husband Maharaja Suraj Mal, saved the kingdom of Bharatpur from civil war by advocating the rightful claim of Jawahar Singh, the eldest son of the late Maharaja before the Mazlis-i-kaum and thus marred the chances of unlawful accession to throne of other claimant. Again she saved the Kingdom by pleading with the invader Delhi Minister during the course of internal strife between Ranjit Singh and Nawal Singh.
The Jats have no scruple in taking wives from other castes and the offspring of such unions become fully merged in the Jat society without any taint of inferiority. According to the Jats the woman has no caste and her case is decided by the caste of her husband as is proved by the proverb prevalent among the Jats: “Jat ke aaei, Jatani Kahalayee.” If we turn the pages of mediaeval Indian history we find the full support to prove this quote among the Jat ruling houses also but conversely neither the ruling houses of the Rajputs or Bundelas or for that matter the Peshwa house provided this respectable place to their consorts from other castes than their own. Furthermore, if someone amongst the Jat ruling house ever tried to raise the issue of his superiority based on his mother’s caste, he could never muster support of the community. It is borne out by the fact that the younger son of Maharaja Suraj Mal, prince Nahar Singh (his mother was a Jatani), tried in vain to dispute the succession issue with his elder brother Jawahar Singh on his being born to a non-Jat mother and the elders of the society rejected his demand as non-issue.
The Jats’ flexibility in religious matters and their humane treatment of widows as well as seeking wives from different castes coupled with adherence to military service or agricultural pursuits without bothering about the coercive purdah system has tempted the imagination of some scholars to assign them the designation of shudras. But the absence purdah system and existence of traditional regard for motherhood of their womenfolk has tremendously added to the strength of the Jat society.
As a matter of fact, the prevalence of the custom from times immemorial which gave wholesome regard to their womenfolk effectively doubled the strength of the Jat community. As in times of peace, women helped to increase the economic means of their family, so in case of national emergency, they took over the full charge of the household as well as agricultural pursuits and thus freed the Jat men to take up arms in defence of their motherland. Therefore the Jats are “indeed a bold peasantry, their country’s pride, accustomed to guide the ploughshare and wield the sword with equal readiness and success, second to no other Indian race in industry or courage.” They are “marked off from the Rajputs and Brahmins by their practice of widow marriage.”
Granting of equal rights and status to women in their society proved a boon to the Jats. Maharaja Suraj Mal, the ruler of Bharatpur, hard pressed in 1754 by the the combined forces of Mughals, Marathas and Rajputs of Amber (Jaipur), was saved from imminent defeat by a timely intervention of his ‘masculine’ consort, Maharani Kishori, who sent the turban of his husband to Jaippa Scinde addressing him as her own brother and urging him to save her sister’s suhag. It had the desired impact on the course of events. Thus, even during the mediaeval times, the modern outlook and treatment of the Jats towards their womenfolk and granting them undisputed equal status inter se went a long way in cementing and building the Jats in a ruling class. It cannot be overlooked as an unimportant area in the role of Jats in contemporary society and polity of the country.

*culled from the pages of ‘Rise of the Jat Power’
 
View attachment 13758View attachment 13759

Sir sayad ye photos apke kuch kaam aa sake wiki edits main

The History of Bharatpur is available on Jatland wiki at URL

http://www.jatland.com/home/Maharaja_Suraj_Mal

By the way for the info of members I created article with photographs about Lohagarh Fort Bharatpur, about the Greatest King of Jats, Maharaja Surajmal's 300th Birth day Anniversary. May like to see here

http://www.jatland.com/home/Lohagarh_Fort

Copy of tthe article is produced here

Lohagarh Fort Bharatpur

The Lohagarh Fort, constructed by Bharatpur Jat rulers, true to its name stood solidly in front of many British attacks, and frustrated them to ends. It faced the British onslaught four times and after a long siege they had to withdraw, but Lord Lake, however was successful in capturing it in 1804.

Lohagarh' means 'fort of iron'. and the fort was what its name suggested; virtually impregnable. Protected by deep moats on all sides, it was said that it could fall "only when a crocodile swallowed up all the water of the moat." It's obvious that the Jats did not believe in laxity. So while lesser forts gave way more easily, Lohargarh stood firm, giving Bharatpur the security it needed.

Construction of the Fort

The fort sits on an artificial island in the middle of the town, with a somewhat forlorn look about it. Yet it is the focal point of Bharatpur today, just as it was of the town's history in the past. Begun by Maharaja Suraj Mal in 1732, it was completed only 60 years later (see Maharaja Suraj Mal). The strong point of this once-formidable fort were its thick outer mud walls, which lovingly absorbed all the firing from the Mughal and British armies. The cannon balls would sink into the mud, only to be collected later and fired back at the enemy! These terrific walls were about 7km in length and took as many as eight years to complete. Lohargarh was probably inspired by the mahi durg (mud fort) as described in ancient Sanskrit scriptures. But sadly, the walls were broken down by the British when they took over the fort in 1826, though portions of the inner walls still remain.

Fort Museum

Today most of the fort is occupied by government offices and a museum. One thing which strikes one immediately about the architecture is the lack of ostentation; Lohargarh is definitely much simpler as far as carvings, paintings and other frills go. With its emphasis on security and security only, there's almost no room for unnecessary ornamentation. It is modest and functional, which is perhaps something to do with the Jat way of life. Some of the residential chambers do have some adornment, but only very little.

Ashtadhatu Gate

The main entrance to this grand fort is the Ashtadhatu Gate. Ashtadhatu means 'eight metals', for the spikes on this edifice are made of eight different metals. This north-facing imposing gateway with huge rounded bastions and paintings of war elephants carries a unique history. Originally it used to be the gate of the Chittorgarh Fort (in Rajasthan itself). From there it was carried to Delhi by Sultan Alauddin Khilji who plundered the Rajput city in the late 13th century. The victorious Jats then tore it down from the walls of imperial Delhi during their attack in 1764 and brought it back with them to Bharatpur. The Lohiya Gate in the south of the fort was also lifted from Delhi in a similar fashion.

Fort Palace

Inside the fort are three palaces, Mahal Khas, Kamra Palace and the Palace of Badan Singh. The Kamra Palace next to the Badan Singh Palace was the place for storing all the armory and treasury of the fort. The eastern Mahal Khas, built by Maharaja Balwant Singh (ruled 1826-53), contrasts sharply with the rest of the Spartan fort; it has some beautiful wall paintings. The chambers are small with ornate pierced stone windows, and lovely patterned marble tiled floors. Badan Singh’s Palace was created around 1733, but was elaborated greatly by the succeeding generations.

State Archaeological Museum

The Kamra Palace and the durbar hall of the Badan Singh Palace were converted into the State Archaeological Museum in 1944. The museum houses an interesting collection of sculptural findings of eastern Rajasthan, with some pieces from the 2nd century AD. The terra cotta toys of the early centuries excavated at the nearby village of Noh, and the 10th century Ganesha are some of the nicer exhibits. There's also a fine carving of Shiva as Nataraja (the cosmic dancer), belonging to the 10th century. But the best piece is perhaps the 2nd century red sandstone shivalinga (Shiva's phallic symbol).

It is very different from the other forts in state, there is no flamboyance associated to fort but it generates an aura of strength and magnificence. The fort is surrounded with moat which was previously filled with water to ward off the enemy attacks. The sandy ramparts were strengthened by sandy battlements, thus the enemy guns proved of no avail.


Some interesting monuments in the fort are Kishori Mahal, Mahal Khas and Kothi Khas. Moti Mahal and towers like Jawahar Burj and Fateh Burj were erected to commemorate the victory over the Mughals and the British army . The Gateway has paintings of huge elephants.

Art Gallery

The Art Gallery of the museum has specimens of miniature paintings on peepal leaves, mica and old lithopapers along with some old portraits of the maharajas of Bharatpur. The upper storey houses the Armoury section where various types of guns and miniature cannons called chaddre, which were used in the 18th century, are displayed.

Nehru Park

Between the Museum and the main entrance, the Ashtadhatu Gate, is the Nehru Park. It is a pleasant place to sit and enjoy the breeze, with pretty lawns, flowerbeds and the Madhuban Cafeteria.
[edit] Visiting Hours

(Museum) : 1000-1630 (closed on Fridays)

Towers

The Jawahar Burj was built by Suraj Mal in 1765, in celebration of the successful attack on Delhi. There are a series of pavilions here, the ceilings of which display some badly deteriorating frescoes. The Fateh Burj is a victory tower too, raised after driving away the British forces in 1805. It was from these towers that the Jat maharajas happily surveyed their fast-growing territory.

The magnificent Palace Carving

The sandstone durbar (maharaja's meeting hall) with finely carved walls, pillars and archways now houses a museum. There's an iron pillar in the palace complex called the Vijay Stambha (Victory Column) on which is inscribed the genealogy of the Jat kings starting right from Lord Krishna! (As we have already said before, it was a matter of great prestige to trace one's lineage from the gods themselves).

Ganga Mandir temple

Maharaja Balwant Singh started the construction of this big temple in 1845. The construction was carried out by a unique method, where all persons employed in the service of the state, were asked to donate one month’s salary of their service or any raise in pay towards the shrine. The temple is a beautiful piece of architecture.

See also at Jatland Wiki

* Bharatpur at http://www.jatland.com/home/Bharatpur
* Maharaja Suraj Mal at http://www.jatland.com/home/Maharaja_Suraj_Mal
* The Jat Uprising of 1669 at http://www.jatland.com/home/The_Jat_Uprising_of_1669
* Expansion of the Jat power at http://www.jatland.com/home/Expansion_of_the_Jat_power_(1680-1707)
Author: Laxman Burdak लक्ष्मण बुरड़क
*********************************************************
Note - Members are requested to contribute more photos about Bharatpur and the Lohagarh Fort.
*********************************************************
 
Yogesh Dahiya Ji,

Kindly accept our Congrts for your effort.


Kindly permit me to point out a minor correction regarding:

"Towers
The Jawahar Burj was built by Suraj Mal in 1765, in celebration of the successful attack on Delhi."

Maharaja Surajmal expired in December 1763 and it was Sawai Maharaja Jawahar Singh who invaded Delhi to take revenge upon Najib in early 1764. I am not sure whether he built it to commemorate this invasion or not; because it was a partial victory.

Kindly go for further research on this point.

Regards
 
Doctor Sahab ........ thanks for your blessing ......... @ :tears_of_joy:


Yogesh Dahiya Ji,

Kindly accept our Congrts for your effort.


Kindly permit me to point out a minor correction regarding:

"Towers
The Jawahar Burj was built by Suraj Mal in 1765, in celebration of the successful attack on Delhi."

Maharaja Surajmal expired in December 1763 and it was Sawai Maharaja Jawahar Singh who invaded Delhi to take revenge upon Najib in early 1764. I am not sure whether he built it to commemorate this invasion or not; because it was a partial victory.

Kindly go for further research on this point.

Regards
 
as a scientist, i'd appreciate that babur won india by top khana. barood was first invented in china and little moghuls conquered india by baarood. i visited aamer fort where i saw one stone inscription that rajputs came 2 know of it very late. n all these pithoos of moghuls were kept off top khana. n off late sawai jai singh came 2 know of it by hook or crook. !!!!!!!!!!!!

but n e way a ruler rules the world n surroundings not by physical but brain power. n it was the brain of jat how 2 diffuse baarud. n no doubt churaman had some brain n created mitti ka danda that absorbed top ka gola.

even 2day usa rules by brain n latest technology. it surpasses india n china by brain power. otherwise it is just 1/3 of them.

my hat off 2 this churaman, who had such a genius brain. not only in india but even in whole world there is no parallel example of his brain.
 
as a scientist, i'd appreciate that babur won india by top khana. barood was first invented in china and little moghuls conquered india by baarood. i visited aamer fort where i saw one stone inscription that rajputs came 2 know of it very late. n all these pithoos of moghuls were kept off top khana. n off late sawai jai singh came 2 know of it by hook or crook. !!!!!!!!!!!!

but n e way a ruler rules the world n surroundings not by physical but brain power. n it was the brain of jat how 2 diffuse baarud. n no doubt churaman had some brain n created mitti ka danda that absorbed top ka gola.

even 2day usa rules by brain n latest technology. it surpasses india n china by brain power. otherwise it is just 1/3 of them.

my hat off 2 this churaman, who had such a genius brain. not only in india but even in whole world there is no parallel example of his brain.
jat empire flourished at the time of surajmal but it was fearless churaman who put the first building stone for the bharatpur empire.
 
as a scientist, i'd appreciate that babur won india by top khana. barood was first invented in china and little moghuls conquered india by baarood. i visited aamer fort where i saw one stone inscription that rajputs came 2 know of it very late. n all these pithoos of moghuls were kept off top khana. n off late sawai jai singh came 2 know of it by hook or crook. !!!!!!!!!!!!

but n e way a ruler rules the world n surroundings not by physical but brain power. n it was the brain of jat how 2 diffuse baarud. n no doubt churaman had some brain n created mitti ka danda that absorbed top ka gola. ......

Doctor Sahib,

Undoubtedly Churaman was a great tactician and bold warrior who institutionalised the gradually germinating desire of the Jats to establish their own kingdom and successfully defeated his Kachhwah-Mughal opponents and founded his capital at Thun. But his successor and eldest son Mohkam Singh was defeated by the combined forces of Badan Singh-Raja Jai Singh and then Deeg was made the Capital of the Jat kingdom.

But in the meantime, I am more interested in the contents of the Stone Inscription at Amber as referred by you in your post as it would shed very important light on history of India.
Regards,
 
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